PLEASE NOTE - THE FOLLOWING IS A SPOILER FREE REVIEW OF THE MOVIE. I WILL NOT REVEAL ANY MAJOR PLOT POINTS FROM THE MOVIE.
“If you want to get crazy, we can get crazy”
What is it about comedians that makes them able to tap into the inherent darkness that we are human beings possess? Look at Robin Williams performance in One Hour Photo or Jim Carrey’s performance in Eternal Sunshine of the Spotless Mind.
As on half of successful comedy duo Key and Peele, Jordan Peele is very slowly and successfully forging out a new career as a director within the horror genre. His first film Get Out was critically acclaimed and won him an Oscar for Best Original Screenplay. He is currently developing a reboot of iconic 90s film Candyman as well as being the lead on the new version of The Twilight Zone. But before any of that comes his new film.
The trailers for this new movie got many people excited, so much so that it was given the honour of being chosen to open the annual South by South West film festival (which is a big deal in cinema critic circles).
With a cast including two alums from 2018 smash Black Panther, along with the good buzz following his satirical horror movie Get Out, will he fall victim to “second album syndrome” or will the movie live up to expectations?
THE STORYHusband and wife Gabe (Winston Duke) and Adelaide Wilson (Lupita Nyong'o) take their children (Evan Alex and Shahadi Wright Joseph) to their beach house, hoping to spend time with their friends. The peace and serenity soon turns to tension and chaos when a group of evil strangers who look exactly like the Wilson family arrive.
OVERALL OPINION
Love for the horror genre, like most other movie genres, is cyclical. However, it does seem as though in the past 7 or 8 years that horror has had a much needed renaissance. Gone are the buckets of blood, gore and torture porn to be replaced with tightly scripted, well shot and acted, tense psychological horror. These films follow the tradition of the genre in that they do not have a huge budget, as that is unnecessary. Their primary goal is to get you to care about the characters which makes the scares all the more effective when they start.
One of the things that made Get Out such a brilliant film was that it wasn’t presented as a traditional horror movie. The trailers for US made it obvious that there would be some horror elements in the film, but as with Get Out, it’s fair to say that Jordan Peele has once again given us a non-traditional horror movie. One that is filled with a lot of tension and drama, but with deft touches of humour that help alleviate scenes at times.
All the actors in the family had to do dual roles and handled with the required creepiness and uneasiness that draws into this bizarre situation. Even though the film is about a family, this is definitely Lupita N’Yongo’s film. She carries a lot of the film on her performance. Elisabeth Moss (who some may recognise from The Handmaid’s Tale) is also a standout as the story expands to encompass more than just this one family.
It would definitely be unfair for anyone to go in expecting Get Out 2.0. This is a very different film and doesn’t have any of the social commentary that was so prevalent in Get Out. As this is only Jordan Peele’s second film, he has handily avoided second album syndrome by giving us a well paced, well acted, tense psychological horror that avoids a lot of the cliches of the genre and constantly has you trying to figure out what the hell is going on.
I am usually one who prefers, nay demands, absolute silence from an audience during a movie (unless it’s a comedy of course). Going to the cinema in America would be very difficult for me as I’ve heard there tends to be a lot of audience participation during film (talking at the screen, talking in general etc). This is the first time I have experienced such a phenomena in the UK. As I went to an 11pm over 18s showing, the cinema was about a quarter full with a largely black audience who, thankfully, knew when to be vocal and when to shut up. For this film in particular it did add to the immersive viewing experience, although it’s not something I wish to happen on a regular basis.
For those who may not be fans of the horror genre I would say it’s worth a see. As previously mentioned, the days of cheap jump scares and buckets of gore are gone. This harkens back to the creative days of horror where the horror comes from the tense nature of the situation. And it was a pleasure to see characters not doing inexplicably stupid things that occasionally plagues horror movies. All in all, a very good Twilight Zone-esque movie from a director who is rapidly making his mark on the genre.
THE PERFORMANCES Lupita Nyong’o - Adelaide WilsonA stand-out performance from the Oscar winning actress. This is a timely reminder of just how talented a performer she is and how she is wasted in a lot of the roles she is in (Maz Kanata immediately springs to mind).
Winston Duke - Gabe WilsonFollowing up his stand-out performance as M”Baku in Black Panther with this more grounded down-to-earth dad character showed that there is a lot more to Winston Duke. He was a joy to watch and his deft touches of humour were totally in-keeping with the “dad joke” persona of the character.
Evan Alex - Jason WilsonThe youngest member of the family did a good job in what, I imagine, is his first role. He wasn’t annoying or insufferable (as kids can sometimes be in these movies).
Shahadi Wright Joseph - Zora WilsonShe more than held her own against more experienced actors. Her performance was very natural, funny when called on, with some sassy and badass moments that made her a crowd favourite.
Elisabeth Moss - Kitty TylerA small role, but she was definitely memorable.
OTHER STUFFThe Tension/HorrorHorror can be designed to affect viewers in a number of ways; make you hold your breath without realising it, heart beating fast, gripping the chair tightly. The horror in this movie is handled perfectly, avoiding a lot of cliches and using tension well without dragging it out unnecessarily.
The ActionBeing a horror movie the action tends to be around attacks and kills. There was the perfect amount in this movie and all of it was believable, without veering into unrealistic superhuman feats of strength/survival.
The PacingDespite the run time the movie moved along at a perfect pace, allowing plenty of time for things to calm down a little so the audience could catch its breath.
The Score/SoundtrackI’m not one to really notice musical score in movies unless it is truly exceptional. I wouldn’t say this score was outstanding, but I certainly noticed it in a number of scenes (not in a bad way). Although, there was one piece that was used a number of times throughout that initially I thought didn’t fit; it seemed almost like something from a 1970s horror movie. But as the movie worn on it worked better and made sense.
Other stuffThere was some creative uses of camera movement that really helped many scenes feel alive while waiting for the next scare.
FINAL VERDICTSecond film done and it is great. I don’t think US will hit the same heights as Get Out, nor does it need to. It is definitely it’s own thing and will definitely be another hit for its director and Blumhouse Pictures. Enjoyable to watch with a crowd and I wouldn’t mind seeing it again to see how it plays a second time.
Run time - 2h 01m
Rotten Tomatoes critics score (at time of writing) - 95%
My Score: 8/10 MY MOVIE RATING SYSTEM
10- Citizen F*%king Kane (A+)
9- Bloody Great (A)
8- Really rather good (A-)
7- Pretty decent (B+)
6- Definitely above average (B)
5- Middle of the road average (C)
4- Mediocre (D)
3- Meh (E)
2- Crap (F)
1- Why the hell did I waste my time and money on this abomination (Unrated)